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The
exhibition showcases and examines the various approaches to that
subject by the following European and North American modern and
contemporary artists: Henri Matisse, André Derain, Raoul Dufy, Georg
Grosz, Oskar Kokoschka, Henry Moore, Max Weber, Alexander Calder,
Andy Warhol, Robert Mapplethorpe, Karel Appel alongside modern and
contemporary Canadian artists: Ernest Lindner, Nicholas de Grandmaison,
Edwin Holgate, Miller Brittain, Christopher Pratt, Alex Colville,
Sandra Meigs, Alexandra Haeseker, Walter Bachinsky, Tony Scherman,
Renée Van Halm and Otto Rogers, amongst the others.
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Figuratively
Speaking:
Works by Modern and Contemporary International and Canadian Masters
Organized
and circulated by the University of Lethbridge Art Gallery
Over
the centuries, the human body has been a favoured subject for artists.
This exhibition, drawn entirely from the Collection of International
and Canadian Art of the University of Lethbridge, features the works
by modern and contemporary masters from Europe, the United States
and Canada who have produced diverse approaches to the subject of
human form and explored the emotional and social implications of
representing the human figure.
The works
in this exhibition cover the wide range of possibilities for depicting
the human form. The portrait section ranges from the accurate representation
of a particular person to the use of a
well known figures such as Gabriel Dumont or Richard Nixon to emphasis
the ability of portraits to act as political commentary. The exhibition
also includes works which move into abstraction with elements of
the human body recognizable within a focus on the visual elements
involved with the art work. As well, Figuratively Speaking includes
the subtle strength found in classic studies and sketches.
The exhibition
showcases and examines the various
approaches to that subject by the following European and North American
modern and contemporary artists: Henri Matisse, André Derain,
Raoul Dufy, Georg Grosz, Oskar Kokoschka, Henry Moore, Max Weber,
Alexander Calder, Andy Warhol, Robert Mapplethorpe, Karel Appel
alongside modern and contemporary Canadian artists: Ernest Lindner,
Nicholas de Grandmaison, Edwin Holgate, Miller Brittain, Christopher
Pratt, Alex Colville, Sandra Meigs, Alexandra Haeseker, Walter Bachinsky,
Tony Scherman, Renée Van Halm and Otto Rogers, amongst the others.
Dr.
Josephine Mills
Curator,
Figuratively Speaking Exhibition
List
of Images:
- Andre
Derain - Portrait, 1914; oil on canvas. From the University
of Lethbridge Art Collection; purchased 1985 with funds provided
by the Alberta 1980s Endowment Fund. Image copyright by the University
of Lethbridge Art Gallery.
- Renee
Van Halm - Ultimate Conceit, 1985; mixed media on paper. From
The University of Lethbridge of Lethbridge Art Collection; purchased
1985 with funds provided by the Alberta 1980s Endowment Fund.
Image copyright by the University of Lethbridge Art Gallery.
- Henry
G. Glyde - Untitled (Nude Figures) , 1947; graphite on paper.
From the University of Lethbridge Art Collection; purchased 1989
with funds provided by the Alberta Advanced Education Endowment
and Incentive Fund. Image copyright by the University of Lethbridge
Art Gallery.
- Henri
Matisse - Nu Etude D'un Mouvement de Jambes, n.d.; lithograph
on paper, edition 29/50. From the University of Lethbridge Art
Collection; gift of Gordon Eberts, 1993. Image copyright by the
University of Lethbridge Art Gallery.
- Henry
Moore - Figures with Arms Outstretched, 1927; ink wash on
paper. From The University of Lethbridge of Lethbridge Art Collection;
gift of an anonymous donor, 1992. Image copyright by the University
of Lethbridge Art Gallery.
- Alex
Colville - September (From the Book of Hours, Labours of the Month),
1986; offset lithograph on paper. From The University of Lethbridge
of Lethbridge Art Collection; gift of the Hon. John Roberts, Toronto,
1993. Image copyright by the University of Lethbridge Art Gallery.
- Tony
Scherman - Mueller, 1984; encaustic on canvas. From the University
of Lethbridge Art Collection; gift of James Gellman, 1997. Image
copyright by the University of Lethbridge Art Gallery.
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