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Introduction
Functionalism
and Beyond
Contemporary Glass and Ceramics of
Finland
Fragile
But Strong
Works by Brita Flander and Elina
Sorainen
Glass-Art-Function
Post-Modernist Glass of Finland
Iittala
Glass
Alvar
Aalto
Aino
Aalto
Tapio
Wirkkala
Timo
Sarpaneva
Kaj
Franck
Markku
Salo
Harri
Koskinen
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GLASS
- ART - FUNCTION
POST-MODERNIST GLASS OF FINLAND
Functionalism
and Beyond
The role
of glass has undergone a dramatic transformation in the last eighty
years. Glass has now become an exciting medium of artistic expression
in the hands of the glass masters, and Finnish glass designers have
won an international reputation in this discipline, offering a dazzling
array of styles, forms and techniques.
For over
five decades Finnish design has been acclaimed internationally by
art critics, collected by leading museums and enjoyed by an astonishingly
large international audience. The important experiments of the 1930s,
which included the landmark pressed-glass design of Alvar Aalto
and Aino Marsio Aalto set the stage for the next phase in
the phenomenal progress of Finnish design. The new Finnish spirit
of triumph was felt as early as 1951, when Finland's contribution
to the prestigious Milan Triennale included - amongst others - the
work of Tapio Wirkkala, awarded three Gold Medals for glass
design. This great success, which brought Finnish design and Finnish
designers to the attention of a growing and eager audience of international
critics and consumers, was followed by even greater triumphs at
the 1954 Triennale, when Finnish designers received awards that
encompassed a broad range of design from glass and ceramics to furniture
and textiles. Names like Alvar and
Aino Aalto, Tapio
Wirkkala, Timo Sarpaneva,
Kaj Franck and Saara
Hopea have carved their unique niche in the history of modern
and contemporary design, and belong to a pantheon of international
avant-garde. They have played a critical role in establishing a
strong position of Finnish design on the international scene.
Glass-Art-Function,
organized in partnership with the Kit Gallery, presents works by
these eminent Finnish designers and pays a well-deserved tribute
for their contributions to international design and architecture.
Their glass objects have become classics of Finnish design and carry
with them a sense of context, thus helping to define the design
in terms of form and function. This process can be seen as one of
the tenets of the new humanism that has guided the efforts of twentieth-century
design in which Finland has played a major role.
Jacek
Malec
Exhibition Curator
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